Emotions That Correspond With the Weight of Reality

John Piper on George Whitefield again, on the acting of preaching as "real acting" (bold is mine)...

If a woman has a role in a movie, say, the mother of child in a burning house, and as the cameras are focused on her, she is screaming to the firemen and pointing to the window in the second floor, we all say she is acting. But if a house is on fire in your neighborhood, and you see a mother screaming to the firemen and pointing to the window in the second floor, nobody says she’s acting. Why not? They look exactly the same.

It’s because there really is a child up there in the fire. This woman really is the child’s mother. There is real danger that the child could die. Everything is real. And that’s the way it was for Whitefield. The new birth had opened his eyes to what was real, and to the magnitude of what was real: God, creation, humanity, sin, Satan, divine justice and wrath, heaven, hell, incarnation, the perfections of Christ, his death, atonement, redemption, propitiation, resurrection, the Holy Spirit, saving grace, forgiveness, justification, reconciliation with God, peace, sanctification, love, the second coming of Christ, the new heavens and the new earth, everlasting joy. These were real. Overwhelmingly real to him. He had been born again. He had eyes to see.

When he warned of wrath, and pleaded for people to escape, and lifted up Christ, he wasn’t play-acting. He was calling down the kind of emotions and actions that correspond with such realities. That’s what preaching does. It seeks to exalt Christ, and describe sin, and offer salvation, and persuade sinners with emotions and words and actions that correspond to the weight of these realities.

If you see these realities with the eyes of your heart, and if you feel the weight of them, you will know that such preaching is not play-acting. The house is burning. There are people trapped on the second floor. We love them. And there is a way of escape.

Read or listen to the rest of Piper's powerful talk on Whitefield. A great example and explanation of what preaching should be like. I don't think we do this well, not nearly well enough. Maybe this kind of preaching would change the face of Christianity in America and the western world today. Maybe it's not just the *how* of preaching but the *where* that would enact this change.

What do you think?

Speak Dramatically...Because It's Real

John Piper on George Whitefield and his dramatic preaching...

But the question is: Why was Whitefield “acting”? Why was he so full of action and drama? Was he, as Stout claims, “plying a religious trade”? Pursuing “spiritual fame”? Craving “respect and power”? Driven by “egotism”? Putting on “performances” and “integrating religious discourse into the emerging language of consumption”?

I think the most penetrating answer comes from something Whitefield himself said about acting in a sermon in London. In fact, I think it’s a key to understand the power of his preaching—and all preaching. James Lockington was present at this sermon and recorded this verbatim. Whitefield is speaking.

“I’ll tell you a story. The Archbishop of Canterbury in the year 1675 was acquainted with Mr. Butterton the [actor]. One day the Archbishop . . . said to Butterton . . . ‘pray inform me Mr. Butterton, what is the reason you actors on stage can affect your congregations with speaking of things imaginary, as if they were real, while we in church speak of things real, which our congregations only receive as if they were imaginary?’ ‘Why my Lord,’ says Butterton, ‘the reason is very plain. We actors on stage speak of things imaginary, as if they were real and you in the pulpit speak of things real as if they were imaginary.’”

“Therefore,” added Whitefield, ‘I will bawl [shout loudly], I will not be a velvet-mouthed preacher.”

This means that there are three ways to speak. First, you can speak of an unreal, imaginary world as if it were real—that is what actors do in a play. Second, you can speak about a real world as if it were unreal—that is what half-hearted pastors do when they preach about glorious things in a way that says they are not as terrifying and wonderful as they are. And third is: You can speak about a real spiritual world as if it were wonderfully, terrifyingly, magnificently real (because it is).

Read or hear John Piper's entire bio of George Whitefield from the 2009 Desiring God Pastors' Conference.