artist

Art & The "Precious Puritans" Discussion

Mona lisa fix

Now Dr. Joel Beeke has weighed in on the discussion on Propaganda's "Precious Puritans." It's a more critical take. And I LOVE Dr. Beeke and own several of his books on the Puritans, including his new, massive work A Puritan Theology. So while I want to respond here to his post, I want my readers to know I highly recommend his books and benefited greatly from hearing him at Desiring God Pastor's Conference on prayer.

Here's my response to critics who are receiving "Precious Puritans" as Dr. Beeke has: Critics are not hearing the song as art, and not discussing art and how it should be critiqued.

Critics are doing exposition of it as if it's a sermon or merely a message, but it's far more creative than that. Critics are discussing the emotional response to the beginning of the song, but not the all-important end! The beginning is designed creatively to get you to feel emotions about the Puritans as a judge and then to smack you down for being a hypocrite! It's a trick, and if you won't view it as art and allow yourself to be tricked, you miss the whole of it and you write blog posts to defend what you find precious, as if the first part of the song is merely propositional. 

Francis Schaeffer writes that one bad way to view art is to see art as "a vehicle for the propagation of a particular message." That view "reduces art to an intellectual statement and the work of art as a work of art disappears." I think critics of "Precious Puritans" are receiving it through that lens, and therefore aren't receiving it well. It isn't seen as art (even when the critics think they are seeing it that way!), and therefore the artist isn't given ground to point to truth creatively.

What I think is great is that so many have heard the song and just loved it, even when it has unsettled them. Art spoke to truth and it was well received. But when someone criticizes the song and misses the truth because they've missed the art as art, I think that says we need more discussion on how to view art.

Spoken Word in the Church

Odd thomas

Joe Thorn is having Odd Thomas do a spoken word piece during worship gathering on Sunday. Some have raised the question of whether or not it's appropriate. Joe writes...

Though we have never done so before, Redeemer’s elders are excited to include spoken word in our worship gathering this Sunday. The main reason we are happy to include it is because spoken word, in this context, is an earnest appeal to look to Christ. Thomas will bring a theologically rich, compelling, confrontational, message to God’s people based on God’s word. And the fact that it is poetic in nature is not a hit against it, but a strength. God loves poetry and has given us much of his word in that very form.

It's a very comprehensive post on what spoken word is, how it conveys truth, he gives some video examples and more. Joe also answers these questions (questions I had too) in his post...

  • Isn’t this just entertainment? 
  • Isn’t this merely trying to attract people through an act? 
  • Isn’t this worldliness?

Go check out "Spoken Word in the Church" from Joe Thorn. Comment there with your thoughts and questions. Interesting topic.

4th Fridays | Starline Gallery | 4.27.12

Parent-teacher conferences aren't just about grades. Last autumn my daughter's high school art teacher, during a parent-teacher conference concerning my daughter's art (which is wonderful, by the way), also told me about Starline Gallery in Harvard, IL. It sounded great: an old factory converted into art studios, a monthly gallery called "4th Fridays", etc. Every time one came up on the calendar, there was something else I couldn't miss. Last Friday we finally made one...and it was spectacular. 

We brought our four kiddos and they loved it too. Afterwards we all discussed our favorite piece(s). Here are some of mine...

4th Fridays - 4.27.12 - 6

4th Fridays - 4.27.12 - It Begins

4th Fridays - 4.27.12 - 1

4th Fridays - 4.27.12 - 2

4th Fridays - 4.27.12 - 3

 

4th Fridays - 4.27.12 - 4

 

4th Fridays - 4.27.12 - 5

Matisyahu Minus Beard

Read Matisyahu's reasons for shaving his beard & dropping his "Chassidic reggae superstar" look...

Matisyahu_beardless

This morning I posted a photo of myself on Twitter.

No more Chassidic reggae superstar.

Sorry folks, all you get is me…no alias. When I started becoming religious 10 years ago it was a very natural and organic process. It was my choice. My journey to discover my roots and explore Jewish spirituality—not through books but through real life. At a certain point I felt the need to submit to a higher level of religiosity…to move away from my intuition and to accept an ultimate truth. I felt that in order to become a good person I needed rules—lots of them—or else I would somehow fall apart. I am reclaiming myself. Trusting my goodness and my divine mission.

Get ready for an amazing year filled with music of rebirth. And for those concerned with my naked face, don’t worry…you haven’t seen the last of my facial hair.

- Matisyahu

(via)

Four Holy Gospels & Makoto Fujimura

Mako Large

I was invited to Crossway Books in Wheaton for the release of the Four Holy Gospels project featuring the ESV version of the four Gospels in a giant book format illuminated through the artwork of Makoto Fujimura.

The whole family got to attend and I really enjoyed it. Upon arrival the crowd was abuzz, the sugar water was flowing, appetizers were being served, and within a few minutes my wife and four kids found and "cornered" Mako. I was busy talking with Collin Hansen who introduced me to Stan Guthrie, an editor at large at Christianity Today. Then I noticed Molly talking to Mako and looking for me. That's a good woman. So I ditched Collin and Stan, who (I think) understood my abrupt departure, and went to talk to Mako.

Mako Four He was kind and humble. We talked about his church, Redeemer in NYC, and his time at Resurrection Presbyterian during their time as a plant. I mentioned how much I have enjoyed his book, Refractions, which really is a great book on faith, art, and culture. So glad I got a chance to interact with one of my favorite artists of any stripe. Then the presentation got formal as Mako and others spoke.

The Four Holy Gospels really is beautiful. I'd love a copy, but can't afford one just now. It's $130 (cloth) through Crossway (or $350 leather, wow), but you can get cloth on Amazon for $73.40. I can imagine sitting down with my family every night and reading through the Gospels illuminated by this great artwork. 

Crossway's post after the event explains the art...

Mako Letters

The Four Holy Gospels incorporates five large-scale paintings, including the frontispiece, “Charis-Kairos (The Tears of Christ)” and four opening plates (one for each of the Gospels); plus eighty-nine initial letters (each painted, and many adorned with gold flecks and foil) specifically created for each chapter opening; as well as more than seventy individually-painted reflections and embellishments complementing the Gospels.

I do hope many will take advantage of the opportunity to own this unique piece of art. I'm grateful to Crossway for the invite, and grateful for the chance to look through this beautiful book and meet Makoto Fujimura. Visit Mako's website, read some of his writings, and follow him on Twitter @iamfujimura.

Mako Tree